Kenneth is a Canadian multi-media artist and composer whose art installations, videos and digital operas have been presented in Canada, China, Finland, and the U.S.A. His work and practice employs musical interventions and political discourse utilizing video and performance to decode the subject. Kenneth has developed a number of personal projects that he has termed ‘digital operas’ incorporating video and musical performance that challenge the parameters of composition, and the performance of western classical music and text. The digital operas and video work are performance spectacles in which Kenneth has appropriated historical texts and juxtaposed them with references to pop culture.

“Rule Britannia - A Low Opera in Grand Shite Style” (performance 2002) incorporated two pianos and two video monitors that investigated British Imperialism through the course of history. “Suite for Birth” (2000), a digitally manipulated audio installation work that incorporated the following elements; the eulogy given by Queen Elizabeth II of England at Lady Diana's funeral, music originally composed for the birth of Prince Charles by Sir Michael Tippett, and a mezzo soprano singing a duet with the Queen of England. “Immortal Misbegotten” (2005) is a reworking of Ludwig van Beethoven's famous six Op. 18 String Quartets condensed into one piece. “Pathetic Piano” (2005) a breakdown of Beethoven's Op. 13 Pathètique Sonata into ten new audience interactive. Kenneth has also composed a new score for Toronto choreographer Michael Trent and Mocean Dance’s “Mappa Mundi” (2006) production in Halifax. In “The Curse of Rome” (2007) video, a solo singer subverts Shakespeare’s text of “Julius Caesar” to the restructured melodies of British baroque composer Henry Purcell. His latest opus “Long waiting without stars” (2009) is a string quartet performed together with a video of poetry readers in fractured Regency era costumes. The string quartet performs a reverse Beethoven composition accompanied by readers presenting poetry by enfant terrible John Thompson (1938 - 1976) that explores the perceived madness that encompassed both these artist’s final years.

Kenneth obtained his MFA from NSCAD University in 2005 and received an Alumni Award from Alberta College of Art and Design for recognition as one of the top 75 students throughout ACAD’s seventy-five year history.